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By Jeffrey Riedy
So, many of my relatives and friends have been asking about last week's debut of the Selkie Strawboys at Celtic Classic, as part of Celtic Crossroads, which was sponsored by Eastern Pennsylvania Arts Alliance. Let me first just say what an honor it was to present at Celtic Classic. For weeks leading up to the Festival, Selkie scrambled to gather a cast and rehearse The Mummer's Play, and also to create the costumes and masks worn by the Strawboys.
A bit of Irish Mumming history first... Mummer's (or Strawboys or Wrenboys) have historical significance in Irish Culture. Though the details of their origins are at best sketchy and subject to opinion and facts, Strawboys have long served their communities, as entertainment and mystery. Many accounts tell of the goings on of St Stephen's Day (December 26), and how the Mummers would visit house to house, requesting to be invited in, and then to entertain under a cloak of anonymity, with masks of various materials; from gauze drapes, to wicker masks, to masks made of shafts of grain. Other accounts tell of Mummers crashing weddings, entertaining the wedding guests, and even sometimes raising money to help the newly married couple. And the tales go on... The bottom line is that our Selkie Strawboys want to embrace the Irish heritage, celebrate Irish Culture, and along the way educate and entertain.
Over the past week, we have received links to various photos and videos FEATURING our Strawboy Mumming at Celtic Classic. Below I am accumulating all those links in one spot. You can also view many of the videos from our website,
And a REALLY huge thank you to Celtic Classic, Celtic Cultural Alliance, and Eastern Pennsylvania Arts Alliance and its members, for making it possible for Selkie to present the Strawboys at this year's Celtic Classic.
RELATED LINKS:
"The Mummer's Play" video
Part 1: http://www.youtube.com/watch?v=gfA0Tt2yA7Q&feature=player_embedded
Part 2: http://www.youtube.com/watch?v=vYlGZHVFIkI&feature=player_embedded
Strolling the Festival:
http://www.facebook.com/video/video.php?v=444487024900
http://video.yahoo.com/watch/8302562/22143360
Photos on Celtic Classic Facebook Page:
http://www.facebook.com/CelticClassic?v=photos&ref=search#!/album.php?aid=514880&id=235507580056
Other Photos:
http://www.facebook.com/album.php?aid=2066747&id=1162521146&fbid=1477122925699&ref=mf
http://www.facebook.com/photo.php?pid=504625&fbid=160679520625445&id=100000501944386
If you like what you see, and are either interested in joining our troupe of Mummers or would like to inquire about booking The Selkie Strawboys for your next event, Festival, party, parade, or who knows.... read more on our website:
By Steven Rea
Philadelphia Inquirer Movie Columnist and Critic
There they were, the five Academy Awards nominees for best animated feature, announced back in early February: Pixar's Up, Disney's The Princess and the Frog, Wes Anderson's Fantastic Mr. Fox, Henry Selick's Coraline and, and . . . huh? What's this? The Secret of Kells?
It turns out the Oscars' nominating committee had every reason to honor this dark horse, a little-known endeavor heretofore unreleased in the States. A beautiful, retro-style, hand-drawn feature from Ireland combining elements of 1950s and '60s Disney 'toons (geometric graphics, flat, painterly backgrounds) and traditional Celtic art (intricate, luminously colorful patterns), this spirited children's adventure set in the Middle Ages offers both visual and narrative thrills.
Drawing (so to speak) from fairy tales and illuminated medieval manuscripts, The Secret of Kells is about a young boy, Brendan (the voice of Evan McGuire), who lives in a fortified abbey under threat of invasion by Vikings. When master illuminator Brother Aidan (Mick Lally) arrives, he enlists Brendan to venture beyond the abbey's walls to collect oak berries in the forest, to use for ink in the scriptorium. This innocent-seeming mission turns into an epic quest involving magical fairies, a wolf-girl, and a cat with two different-colored eyes.
The Secret of Kells is gorgeous work, and its imagery and themes dovetail perfectly: a story about creating art, artfully created.By Gary Thompson
Philadelphia Daily News
Daily News Film Critic
One of the nice things about 2009's being such a stellar year for animated movies is that it's not over.
Today marks the belated arrival of "The Secret of Kells," which received a surprise Oscar nomination for best animated feature, and a well-deserved one, as it turns out.
The Irish-made (but drawn by animators in some five countries) dazzler opens exclusively at the Ritz Bourse, and is worth seeking out for animation buffs, or those looking for some novel way to conclude a week of St. Patrick's celebrations.
"Kells" is the story of Brendan (Evan McGuire), a youngster at a medieval Irish abbey who, in the days before a Viking invasion, is force
d to decide how to "save" his community and his culture.
The abbey is run by his uncle (Brendan Gleeson) who's wholly committed to fortifying the walls and protecting the citizens. A visiting monk (Mick Lally), however, wants Brendan (a talented artist) to finish and vouchsafe an illustrated religious manuscript.
"Kells" is rendered in an old-fashioned, two-dimensional style that gives new meaning to the phrase "traditional animation."
Moore
draws on motifs fro
m Celtic art dating to the 9th century (when the movie is set).
Interestingly, we get few peeks at the artwork in the book itself (clearly based on the Book of Kells, an ancient and finely illustrated work of New Testament gospels).
Instead, Moore weaves these ancient motifs into the design of the natural world that surrounds Brendan's walled city. Against his uncle's wishes, he ventures into the woods to collect berries for the unique dyes that will color the book, and gets help from a magical fairy (Christen Mooney).
This is a way for Moore, a gaelic revivalist (who's set down the story of St. Patrick in graphic novels) to make a point about the way that Catholic
ism blended with existing pagan beliefs to create something culturally unique.
And, Brendan decides, worth saving. The movie's best scenes find him in the mysterious, treacherous forest, wherein Moore and his animators work their visual magic.
"Kells" is noteworthy for its unique, ornate design, its moments of silence (Moore is obviously a big Miyazaki fan) and gorgeous music.
And its distinctiveness. A hallmark of 2009 was (is)
its variety - the best of Pixar, traditional hand-drawn Disney, the stop-motion genius of Henry Selick rendered in 3-D, even contributions from Wes Anderson. "Kells" is the capper, and a lovely one.